total intention realm no.1 complete circumstance
I really would love it if words took a backseat when engaging with the work - “it’s this form, or it depicts that idea”. Just look at it. How does it resonate with you deep within? - if at all. Then just walk away.
An interest of mine is to communicate “mental downloads”, or universal truths through materials and forms. Certain truths cannot be translated through language.
When I do try to explain spiritual realities in words, I destroy or muddle the meaning.
however, I come to discover that when they become encoded in symbols, they can bypass the rational mind while becoming etched on the subconscious. This is where they have the potential to transform the fabric of reality.Which is the ultimate legacy & influence I desire for what I’m creating.
sadly language creates separation. An ever expanding disparity.within form, meaning, and truth.
people might say things like . . .
I THINK YOUR ART IS . . .
DIDACTIC PROCESS-BASED AFFECT NARRATIVE QUESTIONING CONVENTIONS IN VISCERAL ABSTRACTIONS AND ARTIFICE IN THE MATERIALITY OF FOUND OBJECTS AND POST-DIGITAL DIALOGUE WITH UNDERTONES OF EFFERVESCENT NIHILIST LEXICONS MEMORIALIZED IN ARCHIVAL SISYPHEAN LIMINAL SPACES THROUGH THE LENS OF FETISHIZED REJECTIONS OF PROVISIONAL TANGENTIAL FUNCTIONS THAT REFERENCE SUBVERTED CUSTOMS OF DE-SKILLED CONTEXTS OR DURATIONS IN PLATONIC IDEALS AND POINTS OF ACCESS BY EXPLORING THE IMMERSIVE FABRICATION OF PARADOXICAL ENVIRONMENTS IN THE OEDIPAL PERSPECTIVE
JUXTAPOSED BY . . .
GESTURAL SUBJECTIVITY ALLUDED TO BY THE INSTALLATION-BASED SELF-REFERENTIAL POST-STRUCTURAL SURREALISM OF SITE SPECIFIC POLITICS WHEN OBJECT OWNERSHIP AND IDENTITY ARE THEN EXAMINED BY THE INTERSECTIONS OF ANTIQUATED PAINTERLY CAPITALIST VALUES WITH PROBLEMATIC GESTALT BY SYSTEMS OF UNRESOLVED PARADIGMS AND VIEWING RELATIONSHIPS WITHIN THE CRITICAL THROUGH-SPACE WHICH IS THEN ACTIVATED BY FIGURATIVE MULTI-FACETED PERFORMATIVE DIMENSIONS OF EPHEMERAL NEOPLASTICISM WITH COLLOQUIAL OBSCURITY IN POST-CONSUMERIST MECHANISMS WITH MERITOCRATIC AUTOMATISM IN THE KITCH-HUMAN EXPERIENCE
YOU SHOULD READ THE POETICS OF SPACE BY GASTON BACHELARD.
. . .and it makes me feel like words are more useless than ever.
10/05/22
I make objects.
I would like for the objects to offer themselves to you.
But that’s not up to me.
do they speak on their own?
It’s difficult for me to escape using the objects to embody a frivolous affair.
they just want to exist.
and so I let them.
04/22/23
I believe intention and circumstance have come to the forefront as the true essence of what I make.
The work has a conversation with itself through moments of design and accidents.
Beginning with an idea, I will struggle to apply it to the material.
Beginning with a material, I will struggle to apply it towards an idea.
Tethered to a virtual system, the work may finally breathe when it collides with physical reality.
05/05/23
imo the most intriguing moments with my work begin with ubiquitous symbols. Their marriage to ambiguity and aesthetic result in something I don’t initially understand.
For me to subconsciously migrate through - until I can spit out words to label it for greedy eyes. It continues to randomly manifest and it becomes clearer to me why it emerged into realness.
*unknown origin*
A sense of familiarity makes the ideas easier to access. But does that even matter?
Granting myself moments of play for the sake of building an object narrative is important to me .
04/16/23
We’re sitting in the middle
And there’s an innate human desire to find a connection. Anything ?
When you want less, you will get more.
Sometimes; I often feel our problems can be solved by a simple gesture. . . do it. set yourself free.